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Ableton’s Sample Editor (usually one of the most confusing functions in a DAW) has made some major upgrades. You can now record Audio Loops, Audio Tracks, Record Segments and MIDI Clips. The biggest improvement for me, though, is the new Reverb controls. Previously, the ability to EQ the reverb was a bit of an afterthought. Now you can assign reverb to each individual channel of the device, allowing you to balance the reverb’s sound, ambience and dryness at will. This feature alone made the new Sample Editor the most important update I’ve seen from Ableton in many years. Here’s a quick video tutorial on how to work with the new Sample Editor and some of the other new features.

As is the way with many updates, its the little things that Ableton have added that are most likely to impress. Things like TouchOSC 3.0, which has a new UI, a new full colour touch interface, and instant bank switching. Plus it has a new Spectral Remapper function that allows you to change the frequency of a part of a track by a certain percentage of the original frequency. It also has some more traditional stuff like an effects send/return function and insert delay effects.

Ableton has made it possible for you to add effects to your clips without having to use Max for Live – three brand-new effects are now available to install in Ableton: Spring reverb; Inter-harmonic reverb; and Filter sweep. All three of these effects were originally included in Max for Live, but are now finally making their way over to Live.

The new release of Ableton comes with a completely new interface, which follows the path of recent updates like Logic and Cubase to integrate more closely with OSX. Users will notice that in some ways it looks like a mashup of both Apple’s existing iPhone and iPad interfaces, but that doesnt mean its ugly. The new interface looks to be well designed and sensible, despite being at once familiar and unfamiliar. For example, the library is still organised into similar sections to previous releases, but they are organised differently, making navigating the library for the first time slightly harder.

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As mentioned before, Live 11 also updates the Capture feature, which lets you save an audio file before recording it with the computer. With Live, you can now also record events that are occurring right now, or events that happened in the past. (30:24) The feature lets you use the internal microphone, or another mic that is connected to the computer.

In addition to these new features, Live 11 includes a handful of improvements. Shuffle functions (e.g. Start, Random, Delay) are now available directly from the MIDI keyboard, giving users an on-screen option for providing beats or starting/starting a sequence. And the basic Clip and Edit buttons have been moved to the top of the timeline window, making their placement clearer and reducing the need to scroll up to access the functions.

Im jumping right into Live 11 with my beloved instruments, so I will focus on the technology elements. From the back of the box, you can see the new Upright Piano. In my testing, Ive been impressed by the instrument quality and realism. For those familiar with the upright piano, you can appreciate the subtlety and depth of the instrument, with its beautifully articulated keys. You also have access to all five of Live 11s new instruments, including the Electric Piano. Im concerned with the smaller banks of instruments beyond the standard keys, which I hope are updated soon. There is also a New Strings pack available, giving you a full sized piano and one of the five new instruments. But it is missing a few things.

One of the most significant changes in Live 11 is that its clip timeline and sequence can be split vertically. In Live 10, users could only lay out the clips in a horizontal format. This can be fixed with a quick shortcut by toggling the Clip Show Hide [wrench]+Alt. And users can also now toggle the Panning and Time Scale to easily navigate between splits.

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Without taking away from Abletons stock integration and development, MAXFORLIVE.com is a great starting point to find and utilize all those Max for Live Devices that you might otherwise never have found. So what are you waiting for? Get your Max for Live device of choice and start making music.

Q: cannot create a sub shell I am trying to create an virtual machine, I am able to successfully boot the iso file to the usb and it loads without any problems. the problem I am getting is when I want to use Vagrant vagrant ssh I am getting this error: $vagrant ssh /usr/local/rvm/rubies/ruby-2.1.5/bin/ruby /usr/local/rvm/gems/ruby-2.1.5/bin/ssh-with-pkey /usr/local/rvm/gems/[email protected]/bin/ssh -o StrictHostKeyChecking=no -i /home/vagrant/ssh/github_rsa -o CheckHostIP=no -o CheckHostIP=no -o ConnectTimeout=10 -o KeepAlive=60 -o MaxKeepAliveTime=10 -o ServerAliveInterval=5 -o ServerAliveCountMax=1 -o UserKnownHostsFile=/dev/null -o User=vagrant -o IdentitiesOnly=yes -o IdentityFile=/home/vagrant/.ssh/github_rsa -o StrictHostKeyChecking=no -o ConnectTimeout=10 -o KeepAlive=60 -o MaxKeepAliveTime=10 -o ServerAliveInterval=5 -o ServerAliveCountMax=1 -o UserKnownHostsFile=/dev/null -o User=vagrant -p 2222 /usr/local/rvm/gems/ruby-2.1.5/bin/ssh-with-pkey /usr/local/rvm/gems/[email protected]/bin/ssh -o StrictHostKeyChecking=no -i /home/vagrant/ssh/github_rsa -o CheckHostIP=no -o CheckHostIP=no -o ConnectTimeout=10 -o KeepAlive=60 -o MaxKeepAliveTime=10 -o ServerAliveInterval=5 -o ServerAliveCountMax=1 -o UserKnownHostsFile=/dev/null -o User=vagrant -p 22 -i /home/vagrant/ssh/github_rsa — ‘[email protected]:~’ /usr/local/rvm/rubies/ruby-2.1.5/lib/ruby/site_ruby/2.1.0/rubygems/core_ext/kernel_require.

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Ableton Live Features

• Easy Recording of Multiple Instruments
• Ableton Push 2
• Ableton Push with Cue Points
• Ableton Push with Live Push
• Session View
• Multiple Automatable Scenes with Scenes
• Synced Reverb
• Multi-Region Racks
• Session View Recording
• Flexible Live Routing
• AI Recording
• Multi-Touch Pad
• Resolume Automatable Channels
• Multi-Rack Automatable Channels
• Tuning and Pitch
• New Effects Engine
• Compressors

What’s new in Ableton Live

• Capture: record live MIDI from any instrument or MIDI CC as you play.
• Max for Live: drag and drop and instantly transform sounds, automate sound processing and perform complex audio tasks with powerful Max for Live scripts.
• Dual view: browse clips alongside audio, group clips, playback clips via clip overview, rearrange clips with a single drag.
• New browser: sorter, filter, sort, preview, and navigate clips fast.
• New pattern sequencer: learn complex patterns and sequence them with a choice of 16 controllers.
• Create, play, and sequence chords.
• Export & play with Ease of Use: when youre ready to record, play, and export your tracks, Ableton now gives you the power to do so in a snap.
• Audio and MIDI sync: sync the playback of Audio & MIDI on separate clips, syncing clips to audio, MIDI or to audio and MIDI with any third-party sync app.

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