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Live 9 is capable of reading any MIDI track, whether it be from hardware or software instruments. For those who arent editing audio in Free Ableton Live Crack through hardware or software instruments, its perfect for dumping and importing midi files from the future. Ableton have also introduced a concept they call Applications which run in the Background. Perhaps the most exciting new feature that runs out of sight, Applications act as a kind of virtual drum machine, with example applications such as the amazing Ping Pong, music sequencer and Virtual Instruments. Having tried to find a MIDI track using only Applications there is a distinctive drum sample, which isnt very coherent but its an interesting concept.
Playlist-ification. This is a big one, allowing users to create a series of audio clips which can be looped and then arranged on the same timeline as a song or audio sequence. To date, creating a seamless sequence in Ableton has usually involved live looping an audio file, which can work in a pinch but sometimes makes it really hard to navigate. You can see this in action when comparing how recording tracks in Ableton 9 work and how this feature works in Live 10. Unfortnately, its a little clunky, and Ableton will be looking to improve it soon. But for now, this is a big addition.
Most of the new Ableton 10 features seem to be based around audio editing and the workflow improvements can be hard to see at first. However, theres a lot more to Live than just using it to record and mix beats, and theres some new tricks to learn.
There are a number of new features in Live that should make you a better performer, composer and producer. The simple 1-2 button command to record and take on;stop lets you capture audio without needing to use the mouse, which can be really useful if youre creating music with your feet.
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The other thing you may not know is that Live 9 has a new instrument mode called Operator. This is a very powerful instrument environment that is sold separately to Live 9, and you can get a lot more creative with Operator than many of the more pricey third party synths and samplers. One of the best things about operator, which gives it a pretty distinctive identity and sound, is the ability to preview or record based on an Operator patch you have previously programmed or generated.
For those of you not familiar with Max, there are two main ways to program the interfaces in Max and Live. Firstly there is the direct map, which means you have a full set of parameter controls for an interface. Secondly, there is Max for Live. Max for Live allows you to switch any of your Max interfaces into a live instrument. For most users, creating your own custom instruments is not really what Max is about, and they are happy to use a predefined instrument. Some instruments have more than one preset, and one preset does not make up for a whole lot of programming flexibility. Max for Live is really just a way of placing interface into any of your Max projects. You can create instrument patches for your favorite synths, and then easily load them up in Live. Max for Live functionality is built into the native Max interfaces found in Live.
With the power of Max, the raw and rapid power of Live and the ease of combining the two to create an incredible work space, there is no doubt that in the future the Session View will be the single most important component in the function of a modern DAW.
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Ableton Live Review
The new randomisation features in Live allow for random changes to in-progress recordings. For example, a mobile piece of music might be recorded all in one take, but a hotshot improvisation with extra effects recorded on top might be then randomly wiped out: This will leave your original, edited version as a perfect recording, and an extra version (assuming the randomisation feature isn’t disabled) which will have all the extra effects in an edited, randomised manner. This is excellent for adding a touch of unpredictability to a piece: it can be a technique to complement the original or for creating “out-of-time” material. Live 10 also added the option to randomly wipe the recording at predefined times, but this feature has been withdrawn in favour of the new randomisation approach which has the advantage of applying to all parts of an edit, at no need of presets.
Randomisation is a feature for Live that has proved a bit of a challenge. Even when strolling along in the Arrange view, clicking somewhere in an audio clip’s segment and then hitting randomize was enough to mess it up. But the Arp page had always been there for this, and you can do it by selecting Arp, randomly rewinding in that Arp and then choosing Release Mode. However, this feature is only available when you choose to randomise an arpeggiator. But doing so only randomises the segments of the arpeggiator. To randomly sweep the arpeggiator’s time window, you’ll have to drill down into the arp page and choose Randomise next to the Arpeggiator Arp Track (not just the Arp page itself). It’s a slightly laborious process and unless you also want to randomise the entire Arp page, it doesn’t seem entirely worth it – even though the new randomisation feature in Live’s main window is not only available on the Arp page, but also when editing the arpeggiator parameters.
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Ableton Live Features
- Built-in sampler, recorded during live performances
- Customisable recording settings using 16 different microphones
- 16 channels of MIDI control using 16 MIDI keyboard controllers on Live 5.5+
- Numerous pre-recorded instrument samples and internal instruments
- Possibility of importing MIDI files containing keystrokes
- Online and community support forum and wiki
- Import MIDI files from external programs like Cubase, Pro Tools, Logic, Reason, etc.
- Live production, DJing and live performance tools
- Loops and effects, Live’s full-featured MIDI sequencer
- Completely free to use and download
- Free desktop software with price tag ($50)
What’s new in Ableton Live
- Max for Live
- Solo (from Cubase)
- Multi Clip (from Music Maker/Cubase)
- Cross Fader (from Spectrasonics Omnisphere)
- Arp 2 (from Fruity Loops)
- Note: New arpeggiator
- Track Edit
- Sample Editor (from Sampler)
- Align Mix
- Sound Designer
- Arrangement View
- Instruments (with Studio and Reaktor support)
- Audio Effects, Audio Input/Output, Audio Loops, Audio Utility
- Max for Live (integrated with Max for Live)
- Microphone & Microphone FX (MTG Plugin)
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